Artist Statement

Keywords: Cosmos – Philosophy / Art Hospitallity / Raster /  Anthropocenepictorial technology / matter / imaginative radical humanism / speculative fiction / irrationality / experimental drawing / human error / the planetary super-computation.

Technical specifications of the Draws: Experimental drawings on paper. Installations.

Note: All drawings are made to be sent through the mail, most of the time in an official size, and to fit into the slot of the post box. So that, as they are made of paper, in many cases, folded and thus be presented.

Content considerations:

Here is defined the drawing asoperative function”. I conceive art as antenna to receive reality. Since my childhood I am working with experimental drawings and Raster to capture the essential nature of things. (Essence is a metaphysical today referred to the scholastic, but here it is used in the sense of the philosophicalmaterialism”, however, it intended to harmonize vectors found in the functioning of institutions. Perhaps trying to think, not a modern art, or a egotistical artist, but thinking about the common good). I do exercises with ‘tele-guided’ micro-objects that explore the silence and the dimensions of space and time from the viewpoint of contemporary aesthetics. The lines and points of a drawing is a journey through time and the adimensional crosslinked operations. A “proto-raster” what I create from what I perceive as human error, refers to a “pictorial technology”.

In the social aspect, as well as the literary aspect, the speculative fiction & “science fiction” allow for me many different solutions to problems, but sometimes “the essayistic speculation” often acts as servants of the totalizing discourses. On the one hand, the human being live in a “Climatic Unconscious“, what we call the Anthropocene period, it is the manifestation of a geo-social power, this question has raised in the role that the humans have in the Cosmos. The same “Supergentrification” as part of the projection of a Mapping, is presented as a control of “human behavior”, inventoried in supercomputers, “the planetary management”. On the other hand, the question of “the anthropic principle”, is the idea that the “Human” is a God and that is the center of the universe. O question is, it is critical to this classification. We are facing a kind of apocalyptic psychological reductionism that tries to explain the entire universe and the “mind”. Thus confronted with an Gnosticism.

As a response to this idea from the aesthetic sense, this has been given to call the “Art Hospitality”. In my work it is related to a critique to the “dialectical materialsm”, and propose other form of understand the “matter“. I celebrates the “Cosmos” philosophy (As it is understood by Boris Groys) and the “imaginative radical humanism” of an esoteric spirituality, which tries to find other emotional-structures, where reality tries to hide something irrational. With my currently Drawings in relation to the human error in “the planetary super computation”, to confront the ideal ofmanmachine” in the “posthumanism” and the technocracy. That image and text and the writings of art into drawings, can be a dispositive and a personal understanding of “the inner nature of things” or in other words, how the world works.


Becoming Cosmic. Boris Groys. ZfL – Zentrum für Literatur- und Kulturforschung, Berlin.
Rory Rowan ,Extinction as Usual?: Geo-Social Futures and Left Optimism. Apocalypsis, July 31st 2015. Day 63 .
The Russian Cosmists: The Esoteric Futurism of Nikolai Fedorov and His Followers. George M. Young, (Oxford: Oxford University Press, 2012).
1989 – Globale Geschichten (Historias Globales).Haus der Kulturen der Welt. Editorial Wallstein, 2009.
Wohnungsfrage (Problema de vivienda). Hannes Meyer, Friedrich Engels,Collective for a Socialist Architecture: Proletarian Building Exhibition, Housing after the Neoliberal Turn, International Case Studies, Amie Siegel: Love Letters, Kotti & Co + Estudio Teddy Cruz + Forman,Dogma + Realism Working Group: Communal Villa. Production and Reproduction in Artists’ Housing,. Textos de la Exhibición Wohnungsfrage “Housing House” en HKW Haus der Kulturen der Welt, Berlin. Editores: Jesko Fezer, Christian Hiller, Nikolaus Hirsch, Wilfried Kuehn, Hila Peleg. 2015
Anthropic principle in cosmology. Brandon Carter. Contribution to Colloquium “Cosmology: Facts and problems“. (Coll`ege de France, June 2004).
Textures of the Anthropocene: Grain Vapor Ray. Katrin Klingan, Ashkan Sepahvand, Christoph Rosol, Bernd M. Scherer). Revolver Publishing, Berlin. Octubre 2014.
After Zero. Katalog. Geographies of Collaborations. Haus der Kulturen der Welt. Berlin, 2014.
Ape Cultur. Katalog. Geographies of Collaborations. Haus der Kulturen der Welt. Berlin, 2014.
Roy Scranton, “Learning How to Die in the Anthropocene,” New York Times, November 10, 2013.
El hombre y el cosmos. Gustavo Bueno. Curso de Verano. Universidad de la Rioja, Astruias, Espana. Julio 2015. Version disponible en youtube.
Stop Trying to Save the Planet,” Wired, May 6, 2009; Erle Ellis, “Forget Mother Nature: This is a World of our Making,” New Scientist, June 14, 2011.
#1Jean Renoir – Parle De Son Art.
The Supercommunity (Live).The Climatic Unconscious is a program of lectures and screenings organized by e-flux journal and Remai Modern.
– Kasimir Sewerinowitsch Malewitsch
– Illia Kavakov
– Panararenko
– Bernardo Ortiz Campo
– Juan Mejía
– The Supercommunity (Bienal de Venecia 2015)
– Otolit group.
– Raqs media Collective
– Art & Lenguaje (Group)
– Brigde Riley
Moscow Conceptual
– Joseph Kosuth
– Cy Twombly
– John Baldessari
– Marcel Broodthaers
– Cildo Meireles
– Piero Manzoni
– Daniel Buren
– On Kawara


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